A symmetrical matrix of generative synthetic growth iterations of varying frequencies and intensities.

➕ (2019)
SCREENINGS AND EXHIBITIONS
- Un festival c’est trop court, Nice, France, 11-18 Oct 2019 (Experience Competition)
- Thessaloniki Animation Festival, Thessaloniki, Greece, 10-13 Oct 2019
- Animatou, Geneva, Switzerland, 4-12 Oct 2019 (International Competition for Best Experimental Short)
- BIDEODROMO International Experimental Film and Video Festival, Bilbao, Spain, 17-25 Sep 2019
- Ars Electronica Festival, Linz, Austria, 5-9 Sep 2019 (Ars Electronica Animation Festival Programme)
- Étrange Festival, Paris, France, 4-15 Sep 2019 (International Short Film Competition)
- Under the Radar, Vienna, Austria, 1-5 Jul 2019
- Diversions International Short Film Festival, Sveti Ivan Zelina, Croatia, 10-16 Jun 2019
- A Wall is a Screen, Ahlen, Germany, 14 Jun 2019
- A Wall is a Screen, Hamburg-Diebsteich, Germany, 7 Jun 2019
- 35th Hamburg International Short Film Festival, Hamburg, 4-10 Jun 2019 (Interlaced Signals programme curated by Sarah Adam and Giuseppe Gagliano)
- Digital Graffiti, Alys Beach, Florida, USA, 17-18 May 2019
- Anifilm, Trebon, Czech Republic, 7-12 May 2019 (Max Hattler Retrospective)
- 26th Stuttgart International Festival of Animated Film, Metropol 3, Stuttgart, Germany, 17:00 Fri 3 May 2019 (In Persona: Max Hattler screening)
- Oodaaq Festival, France, Saint Malo, Sat 27 Apr 2019 and Rennes, Wed 15 May 2019
- Tlanchana Fest, Metepec, Toluca and Valle de Bravo, Mexico, 29 Mar - 7 Apr 2019
- MONSTRA Lisbon Animated Film Festival, Lisbon, Portugal, 20-31 Mar 2019 (International Competition)
- An Inch of Time: International Video and Animation Exhibition, The Galleries at Cleveland State University, Cleveland, Ohio, USA, 8 Mar - 20 Apr 2019 (exhibition curated by Qian Li)
- Loop Effect, Chapel Gallery, Ormskirk, Lancashire, UK, 26 Jan - 4 May 2019 (Exhibition curated by Alex Jukes. Artists: Alan Warburton, Alex Jukes, James Shepherd / Cypherdelic, Max Hattler) "Four artists positioned at the forefront of experimental digital animation / art collectively consider the ways in which loops, repetition, cycles and abstraction can be used to explore the role, the boundaries and the language of digital art animation today." (Chapel Gallery)
- Relentless Melt No. 9: Audio Visions, Clockenflap Festival, Hong Kong, 9-11 Nov 2018 (Screening curated by Max Hattler)
- Punto y Raya Festival, Wroclaw, Poland, 25-28 Oct 2018 (Pawilonie Czterech Kopuł exhibition. Artists: Larry Cuba, Max Hattler, Robert Seidel, David Stout)
- SUPERNOVA Outdoor Digital Animation Festival, Denver, Colorado, USA, 22 Sep 2018 (Invitational Competition; special version created for corner-wrapping panoramic LED screen at corner of 16th & Arapahoe Street in Downtown Denver)
- Relentless Melt No. 7: Moving Image Hong Kong, Wright Hall, New Cut Cinema, 110 The Cut, London, SE1 8LN, UK, 14 Aug 2018 (Screening curated and introduced by Max Hattler)










CREDITS
Director: Max Hattler
Live Animation: Max Hattler
Editing: Max Hattler
Coding: Sune Petersen
Sound/music: Antony Ryan, Sune Petersen
Available formats: 1080p
Frame rate: 24
Length: 2'32"
Year: 2019
Country: DK/UK/HK/DE

DVD
- New German Animations 2019, AG Kurzfilm, Germany, 2019 (not for sale, limited edition preview DVD for festivals and curators)


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